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Производитель: изд. Tate
Артикул производителя:
Страна: Великобритания
Вес: 0 гр.
Автор: Belinda Thomson
Название серии: Movements in Modern Art
Язык издания: Английский
Издательство: Tate
Год издания: 1998
Количество страниц: 80
Формат: 171x241
Тип обложки: мягкий
Количество иллюстраций: 60
"One of a series introducing major movements in modern art to general readers, students and gallery visitors, this text looks at the Post-Impressionists. Hard on the heels of the Impressionists came artists with a different agenda. Dissatisfied with the essentially short-term effects Impressionism had mastered, they strove in their different ways for an art of a more permanent, structured and expressive kind. By refining and codifying, or dismantling and reassembling, the procedures of Impressionism, artists such as Seurat, Cezanne, Gauguin and Van Gogh and their associates rewrote the rules for representational painting at the turn of the 20th century. The arbitrary colour, exaggerated forms and abstraction of their works marked a new distance between artist and nature, and prepared the public for the freedoms of the next generation of innovators. This book focuses on the artists responsible for these influential stylistic changes, and sets them in their intellectual and historical contexts. Table of Contents: Introduction - the term ""Post-Impressionism"". Part 1 The 1880s: seeds of discontent_RT_ the turning of the tide_RT_ Seurat the systems man_RT_ the search for a solid method - Cezanne_RT_ Parisian struggles - le petit boulevard_RT_ Gauguin the primitive_RT_ Van Gogh and Gauguin. Part 2 The 1890s: theoretical definitions of the new art - symbolism_RT_ deaths and regroupings 1890-1891_RT_ the commercial success of the Nabis_RT_ art nouveau - fin de siecle_RT_ disunity in the Nabi brotherhood_RT_ Neo-Impressionism versus Cezannism_RT_ the new century - optimism and pessimism. Part 3 After 1900: French art in Britain_RT_ Post-Impressionist theory - the Denis-Fry connection_RT_ English and American Post-Impressionism_RT_ the 1920s and beyond."
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