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Surrealism. Abridged edition

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Производитель: изд. Phaidon
Артикул производителя:
Страна: Великобритания
Вес: 0 гр.
Автор: Mary Ann Caws
Язык издания: Английский
Издательство: Phaidon
Год издания: 2010
Количество страниц: 208
Формат: 290x250
Тип обложки: мягкий
Количество иллюстраций: 255
Surrealism is a survey of the twentieth century's longest lasting and, arguably, most influential art movement. Championed and held together by Andr? Breton for over forty years, Surrealism was France's major avant-garde artistic tendency from 1924 onwards, rapidly spreading around the globe to become an international phenomenon. During World War II, Surrealism's exiled artists and writers had a major impact on American art and were a primary influence for the Abstract Expressionist generation. The official Surrealist movement continued to the end of Breton's life in 1966, and its legacy is still pervasive today, in contemporary art as well as in numerous quotations from surrealist imagery in cinema, advertising and the media. Survey Mary Ann Caws - a distinguished scholar, translator and associate of the surrealists - describes in clear, perceptive and lively prose the essential characteristics that define Surrealism, as well as tracing a concise path through the chronology of this prolific and wide-ranging movement. The text also demonstrates how Surrealist art and writing are interdependent. Works provides an extensive colour plate section with extended captions for every artwork. Following the movement from its beginnings in the 1920s up to the 40s and950s, its six sections trace the themes that predominated at different stages. Artists include Eileen Agar, Jean Arp, Antonin Artaud, Hans Bellmer, Jacques-Andr? Boiffard, Brassa?, Victor Brauner, Andr? Breton, Jacques Brunius, Luis Bunel, Claude Cahun, Leonora Carrington, Giorgio de Chirico, Joseph Cornell, Salvdor Dal?, Paul Delvaux, Oscar Dom?nguez, Marcel Duchamp, Nusch Eluard, Max Ernst, L?onor Fini, Esteban Franc?s, Wilhelm Freddie, Alberto Giacometti, Arshile Gorky, Jindrich Heisler, Geores Hugnet, Valentine Hugo, Marcel Jean, Frida Kahlo, Andr? Kert?sz, Frederick Kiesler, Greta Knutson-Tzara, Wifredo Lam, Jacqueline Lamba , Len Lye, Dora Maar, F.E. McWilliam, Ren? Magritte, Man Ray, Andr? Masson, Roberto Matta, Henri Michaux, Lee Miller, Joan Mir?, Pierre Molinier, Henry Moore, Max Morise, Paul Noug?, Gordon Onslow Ford, Meret Oppenheim, Wolfgang Paalen, Roger Parry, Roland Penrose, Pablo Picasso, Kay Sage, Kurt Seligmann, Jindrich Styrsky, Maurice Tabard, Yves Tanguy, Dorothea Tanning, Toyen, Tristan Tzara, Raoul Ubac, Remedios Varo, Wols. / Mary Ann Caws is Distinguished Professor of Comparative Literature, English and French at the City University of New York. Her numerous publications include extensive writings on surrealist and modernist art and literature, and translations of major writers and poets, including Andr? Breton, St?phane Mallarm? and Tristan Tzara. Her books include Robert Motherwell: What Art Holds (1995)_RT_ The Surrealist Look: An Erotics of Encounter (1997) and Picasso's Weeping Woman: The Life and Art of Dora Maar (2000). She has edited Joseph Cornell's Theatre of the Mind: Selected Diaries, Letters and Files (2000)_RT_ Manifesto: A Century of Isms (2000)_RT_ and Surrealist Love Poems (2002).
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